Most of my posts have to do with history and the writing process, but I wanted to comment on appearing in translation in Lithuania, where I was keynote at a bookfair on the publication of the Lithuanian translation of my last novel, Underground., called Pogrindis in Lithuanian.
If you are translated into a language you do not know, you simply accept the fact with no real knowledge of what the reception was like. This was the case with my book translated into Chinese. But I since I have enough Lithuanian to speak it and read it, I had insight into a remarkably literary culture there.
Sixty thousand people attend the book fair in Lithuania – whole families come with children. The cabbie who drove there talked about how much he loved books, and as physical objects, and thus not as ebooks.
There were dozens of presentations, and many of them made the newspapers. In my own presentation, there was seating for maybe three hundred people, and it was standing room only with a crowd at the door.
The reception to the novel was outstanding, with many newspaper, television, and radio review and interviews (for links, see my appearances page, but only if you have the language) and a whole print run sold out two days into the fair. As well, the cultural attaches of some of the embassies picked me up.
My literary world is a Canadian, and to a smaller extent, an English language one, so it was fascinating to see how another culture reacts to books.
Since Underground is a historical novel, based on the postwar anti-Soviet resistance, much of the interest lay in the subject matter, which is unexplored in fiction in Lithuania.
Sadly, one of the people whose personal history is connected to the subject matter reproached me in print for dealing with history as fiction. You could say this is just a misunderstanding of form, but I can also understand how you might think that your own story belongs to you, and a fictional approach might seem startling.
I’ll be in London to do a talk at the Lithuanian embassy on the occasion of the bookfair there in April.
As to the rest of my work, I am deeply into the new novel, tentatively titled Provisionally Yours, and will likely have a first draft done by the summer. I intend to finish it off at a summer house we have rented very close to the summer house used by Thomas Mann in the thirties on the Curonian Spit. that’s a very unusual place, with villages buried in sands and a lagoon on one side and the Baltic on the other.